This lens would serve that purpose well, and offers richly vibrant colors across the entire aperture range. Some portraits today are being shot with alarmingly short focal lengths with very positive results. The bokeh is absolutely beautiful the nine curved aperture blades produce an incredibly smooth, nearly dream-like, background blur when shooting at wide apertures. The 30mm focal range is very close to what could be considered wide angle, yet it shows no perceivable distortions at the corners. The Sigma 30mm f/1.4 is quite the beast, photographically speaking. The AF/Manual switch is ideally placed for no-look operation, and is very crisp when it is clicked from one to the other.
SIGMA 30MM 1.4 CANON MANUAL
The travel from minimum focus distance to infinity is just right, and it still leaves a lot of cushion for focusing accurately when in manual mode. It moves very smoothly, being neither overly tight, nor too loose. The focusing ring has that perfect feel of silk when it’s turned. The entire lens looks very smooth and professional, with all markings and indicators being commendably well executed. It’s manufactured from the same thermally stable composite (TSC) which is incredibly metallic in its heft and appearance.
I put the Sigma 30mm f/1.4 through its paces and have a feeling you will be well pleased.īeing part of Sigma’s well regarded Art line of lenses, I expected the 30mm to be highly refined and well-built it did not disappoint in this area. The 30mm f/1.4 DC HSM Art lens from Sigma is among one of these that is meant be an all-purpose fast prime, for those needing a lens with excellent sharpness and great low light capabilities. This paradigm shift is reflected by lens manufacturers who are beginning to produce more prime lenses for a hungry new market. Today we see a new generation of photographers realizing the merits of shooting with prime lenses. Optically, primes are generally much faster and sharper than zoom lenses but limit the shooter to only one focal length, which can be off-putting to some.īut times change. Zoom lenses have more moving parts and components, which adds weight and reduces the speed of the lens, along with sharpness. This versatility brought with it a trade-off. With the advent of zoom lenses photographers no longer had to rely on just their feet in order to get achieve the desired composition. Prime lenses are those which have a fixed focal length, meaning that they don’t zoom in and out.
The world of camera lenses can be separated into two main groups: zooms and primes.
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